Author Archive
The Perils of Tasting from Barrel in Burgundy: The Malolactic Fermentation
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One of the most challenging and interesting privileges of the buying job is to go out to Burgundy and taste a vintage from barrel in October, buy the wines and make an assessment of the vintage. October to December is the time when most buyers go to Burgundy to taste from barrel the wines of the main domaines and négociants of the Côte D’Or.
Last October I was tasting the superb 2010 vintage after a year in cask. A few wines are already bottled, mainly whites, but most are still in barrel or tank awaiting bottling usually January to March 2012. However, it is not without its pitfalls.
In theory, October is generally a good time to taste. Ideally the crucial secondary fermentation, the malolactic (hereafter malo) fermentation, will have taken place in spring.
Before the malo, wines are very difficult to judge, especially red wines, although the worst time is during the process itself where the reds can taste metallic and all sorts of buttery and cheesy aromas can occur in the whites as the malic (the sharper appley acidity) is transformed to the lactic acidity (the milder milk acidity). Then frequently for a couple of months after the malo the wine will not taste well. The aromas and the flesh of the wine seem to disappear leaving a hollow shell.
Temperature is one of the crucial factors required for the malo to take place. The process normally takes place as the temperature reaches 16-19ºC. Given Burgundy’s more continental climate, it is quite cool at vintage time (when the harvest is mid-September and global warming doesn’t mess it all up) and after the wines have finished their alcoholic fermentation they are sent to barrel to rest in the autumnal cool of the cellar and it is not until spring arrives that the temperature rises to the necessary level.
It has now been discovered that the traditional empirical Burgundy view that a six month delay between the two fermentations is beneficial for red wine, helping to soften the astringent nature of the tannins. It had long been held as controversial by the Bordelais. As sulphur blocks the fermentation none is added, and the men in white coats, the oenologues, considered that the wine is potentially at risk from spoilage yeasts and bacteria during this time. In Bordeaux’s warmer Atlantic climate, and because wines are stored above cellars in chais in the Médoc (because the water table is too high to dig cellars) the malo traditionally takes place in tank immediately after the alcoholic fermentation in October. It can be artificially inoculated to speed the process up. The wine is then sulphured and sent to barrel.
However, in the absence of sulphur, alcohol oxidises to acetaldehyde and this is a catalyst in red wines to encourage colour (anthocyanins) and tannins to form complexes that provide a round and velvety mouthfeel. Tannins not bound to colour are hard and spiky. For a number of years it has been the height of fashion in Bordeaux to delay the onset of the malolactic fermentation and for it to happen in barrel.
In very hot years like 2009 there is little malic acid in the grapes, whereas a cooler year like 2010 will have much more. In the cooler years the wine is transformed by this process and many ugly ducklings have become elegant swans. However, there is a Catch Twenty Two here. The higher acid the vintage, and thus the more beneficial to the wine for the malo to occur, the more difficult it is to start the process.
So that seems clear and fine then! The buyer must arrive in October when the wines will be tasting beautifully after a spring malo. If only it were that simple!
In practice the malo takes place when it wants to. Even in the same cellar in October there can be some wines that went through it early, some late, and some have yet to do it. The process is still only partially understood. Some say a new barrel which has less sulphur residue and allows more oxygen ingress helps the process, others say old barrels carry the malolactic bacteria, and help inoculate the process. Once the malo has finished, the maturation process begins and the wine starts to change. One should really consider a wine’s age and maturity not from the date of the harvest but from the date of the malo.
After the malo each cellar may then proceed quite differently. Some cellars rack from barrel to barrel. In this case the individual character of the barrel is preserved. Some cellars rack all the wine into tank and then back into barrel. In this case the barrels have been assembled and should taste similar. Some, like Jean-Marie Fourrier do not rack at all, which means his wines have more carbon dioxide in the wine, which can cut the richness of the wine, but against that the wine has been left to enrich itself on its lees without disturbance. Some add more or less sulphur at this time which can ‘bleach’ the flavours from the wine, which may require 6-8 weeks to recover.
Principally for this reason, I do not pay too much attention to assessments of Burgundy between one and six months after the vintage. In this media age we are all being pestered to give instant opinions but, in my view, it is very dangerous to assess a wine before malo as they can totally change character. A famous agent Russell Hone describes the 1993 red Burgundies as ‘performing a backflip’ after malo. It was very harsh and metallic before malo, softened appreciably after it and is now considered a great vintage.
Thus when one arrives in a cellar and before tasting one of the first questions to ask is when the malo, or malos took place, and were the wines racked afterwards, and in which case were they assembled in tank or racked from barrel to barrel. Now one can begin to assess the wines before you and make allowances if necessary for the blessed malo!
Toby Morrhall
Buyer, Burgundy
The Society’s opening offer of 2010 Burgundy will be available in late February.
The UK’s finest range of Chilean wines
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It is great to have won the International Wine Challenge’s Specialist Merchant of the Year for Chile for the fourth time in five years but I won’t be getting complacent.
The first time we won this award, my boss Sebastian Payne said it was for: ‘Just doing your job’.
And what a privileged job it is. Chile continues to excite because it keeps discovering new regions and expanding its list of well-made grape varieties from its myriad terroirs and diverse climates. The remarkable Limarí chardonnays, pinot noirs and syrahs from this cool climate with many vineyards with limestone-based soils has been a very exciting new discovery. We have already moved our Society and Exhibition chardonnays to this region.
The discovery of many 50-year-old, unirrigated carignan bush vines in Maule has resulted in some superb new wines appearing on the market. Grown in a warm region of Chile, carignan is a little fleshier than in France, but still keeps its lovely perfume and thrillingly fresh and fine palate that really is perfectly designed to match a hunk of roasted or grilled protein, especially belly pork or shoulder of lamb. I’ve also been tasting some excellent cinsault and mourvèdre which I hope will soon make it to our List.
The ‘Rhône Ranger’ blends are perhaps the only missing varieties in Chile’s remarkable range and may soon appear.
If you have already tried some of our Chilean range, then thank you for your support. If you are yet to try them, then now is the time. Click here to view the full range, or here to try a special exploration mixed case we have put together to celebrate winning the award.
Toby Morrhall
Society Buyer
Second Bottling of Fino Perdido ~ Ideal Summer Wine
Posted by: | CommentsFor those of you who haven’t tried it it is a mature Jerez Fino bordering on an Amontillado. In the past it would have been called a Fino-Amontillado but the consejo, who regulate labelling, have banned its use. We therefore named it ‘Fino Perdido‘, meaning ‘lost Fino.’
Many producers add charcoal to remove the deep rich colour, and over fine it with bentonite, which stabilises the wine but removes much of its richness. We have just chilled it in a tank for a week to let it clarify naturally and then filtered it. It may form a slight haze but we think this cosmetic imperfection is outweighed by the extra flavour in the bottle.
It has an intense, bready flor nose, with a rich, round palate with elements of almonds and hazelnuts. It’s a lovely aperitif, but suits summer food admirably too. Try it with smoked salmon, grilled fish, scallops, crab or red tuna stewed with onions. Salud!
Toby Morrhall
Jerez Buyer
Second Edition of “How To Buy Burgundy” Now on the Web
Posted by: | CommentsBurgundy, especially red Burgundy, is difficult to understand. I have substantially revised this guide, increasing it to 8000 words, and have tried to answer many of the questions we get.
Click here to read the new guide
The single biggest problem is that of expectation. Many people expect red Burgundy to taste “rich, round and velvety”. Perhaps 5% of Burgundy tastes like this when made from very low yields and late harvested. A few producers make such wines (Denis Mortet, particularly between 1993-2003, Henri Boillot, Alain Burguet, Clos de Tart) but expect to pay £40-£150 a bottle for such wines. Occasionally a very warm vintage produces wines with an extra sweetness, such as 2003 and the lovely 2009. I will list more 2009s in the September List.
Much of this expectation derives from certain wines of the 1950s and 1960s which were doctored by some French exporters and English merchants with wine from the southern Rhône or Algeria. But if you look on the map Burgundy is the most northerly fine red wine region in Europe. It is roughly on the same latitude as the river Loire, yet no one expects Loire cabernet franc to taste like Château Cheval Blanc! This northerly situation means the wines have a marked fresh acidity, which lends it an appetising and refreshing quality. Furthermore, pinot has thin skins, which is where colour and tannin reside in the grape. So pinot is usually a lightish colour, and has a gentle texture, without the tannin one finds in Bordeaux or the sweetness of the southern Rhône.
What is does have is lovely fragrance. 65-70% of its appeal is in the nose. In the simpler wines a simple cherry-like perfume, in the more expensive ones there is an incredible intensity of aroma. Some are scented with the kirsch-like, almondy aromas of cherry kernels, and as they age can develop lovely aromas of hung game. But most of this is lost if the wine is served above 16ºC.
I have prefaced the guide with a comparison of some elements of Bordeaux and Burgundy. They really are opposites which need a different approach to understand and enjoy them. My father never enjoyed the Burgundies I brought home. His palate was formed, or deformed!, at Oxford where a lengthy degree in medicine allowed him much opportunity to enjoy many lovely clarets from the New College cellar. He always looked for the backbone of tannin in a wine, and missed its firm grip when it wasn’t there. Burgundy was too sleek and silky for his taste.
If you have not enjoyed Burgundy, yet still have the curiosity to get to know it better, then I hope this guide may help you discover its many qualities.
You can read the new guide here.
Toby Morrhall
Burgundy Buyer
Diam corks – end of cork-induced “corked” wines and random oxidation
Posted by: | CommentsWe are having more and more wines bottled with Diam corks. These closures look like an ordinary agglomerate corks but appearances in this case are deceptive. Diam have solved two of the greatest problems of the otherwise excellent natural cork, a fault commonly called “corked”, which is a “musty” smelling taint caused when a cork infected with a substance called trichloroanisole (TCA) communicates this to wine, and cork’s natural variation in porosity to air which can lead to extreme variation in oxidation of wine.
We are bottling a growing number of wines with Diam corks including Talmard’s Mâcon-Villages, The Society’s Chilean Merlot, Cabernet Sauvignon and Chardonnay, future bottlings of Society’s Chablis, many wines from Jean-Marc Brocard, Hugel, Louis Jadot, Bouchard Père et Fils and Domaine William Fèvre. Members can see which wines are bottled with Diam corks on the website. To the closure field for each wine we have just introduced an entry for Diam corks, which we are currently updating.
A more detailed article will appear in the July Newsletter.
Toby Morrhall
Society Wine Buyer
Fine and Mineral wines from Limarí Valley, Chile
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Limarí has already become the place for chardonnay in Chile. Syrah and sauvignon blanc are looking very good too. Early wines from young pinot noir vines are very promising.
The great excitement about Limarí is how different the wines are from many other regions in Chile. Chardonnay from the Quebrada Seca area of Limarí is tense and mineral, quite different from other cool climate regions such as Casablanca which, despite their cool climates, produce more tropical fruit character.
This refreshing mineral character makes Limarí chardonnays easy to enjoy and they stand up well to food. Try our own label Society’s Chilean Chardonnay, Limarí Valley and Maycas Chardonnay Reserva Especial Unoaked 2008, or the very elegant Maycas Quebrada Seca Chardonnay 2008. We have just bottled an Exhibition Limarí Chardonnay 2010 which will be available in July/August. Maycas (owned by Concha y Toro) are planting new vineyards of chardonnay, pinot noir and sauvignon blanc here with the best new rootsocks and clones which promise to be fantastic.
The explanation for the character of the Limarí wines is in the climate and soils. In Chile, from Elqui in the north to Bío-Bío in the south, the main climatic influences are more related to the influence of the sea and mountains not latitude. The coastal strip, say within 30km of the sea, is the coolest, particularly where there is a break in the coastal mountain range. As the land warms up air rises and sucks in cool air from over the 14ºC Pacific Ocean, producing cool afternoon breezes. Away from the coastal strip the maritime influence fades and temperature rises for each kilometre one moves inland.. Then as one moves towards the mountains temperature reduces again.
Northwest of Limarí there is a big break in the coastal range allowing very cool air to flood inland. It reaches Quebrada Seca which is about 25km inland. Here there are substantial amounts of limestone in very interesting alluvial terraces. Rainfall in Limarí is very low, just 100mm a year, compared to the average of about 400mm. This combination is producing superb chardonnays.
There is considerable variation in soil types. The Tamaya Hill is granite, there are areas with substantial proportions of alluvial stones and there is clay too. This variation in soil and climate has the potential to produce a wonderful variety of high quality wines.
Tabalí are making superb sauvignon blanc and syrah. Their sauvignon comes from a new area of Limarí just 12km or so from the sea, near Frei Jorge, which is one of Chile’s coldest sites. The Caliza vineyard has remarkable deep white limestone/clay soils which are friable, enabling even the young vines to root deeply in the soil. The Tabali Reserva Sauvignon Blanc 2010 is wonderfully brisk and taut, with lovely nettly aromas and a very fresh but not aggressive palate.
South of the Limarí River, Tabalí are producing the superb Tabalí Syrah Reserva Especial. This has a lovely cool climate nose, like Wright’s Coal Tar Soap, which is very like Northern Rhône but with a slightly richer, yet fresh palate. Here Tabalí have found excellent low fertilty soils and are planting superb new vineyards of pinot noir, syrah and chardonnay with the very best new rootstocks, clones and massale selections. When these and the new Maycas plantations come into bearing quality will leap even further forward.
Toby Morrhall
Chile Buyer
Chile post earthquake and 2010 vintage
Posted by: | CommentsAfter the earthquake
Chileans work hard and effectively and some wineries were up and running a few hours after February’s earthquake. The loss of power and water did affect vineyards’ irrigation systems and some suffered dehydration in the month before harvest. Apart from the loss of the equivalent of 15% of a normal harvest, repairing damaged bottling lines took a lot of time and many orders were delayed as a backlog developed.
There are strict building regulations in Chile. Structures are constructed to be able to resist earthquakes, but the 2010 quake was so strong that although virtually all new buildings remained standing, and so protected the lives of those people within, many are structurally damaged and will have to be demolished and rebuilt. It was mainly the old buildings made from adobe that collapsed. However, most aspects of business life are now back to normal.
Chileans are now struggling with loss adjusters from insurance companies, completing forms, submitting photographs, trying to get their claims approved. Most wineries are covered for loss and damage and may eventually benefit from new buildings and equipment.
2010 Harvest
2010 has turned out to be an excellent crop of high quality and low quantity. Growing conditions were cool and the wines have a welcome freshness, vitality and concentration about them, with some similarities to the 2008s which are looking very good currently. We have started to ship the first 2010s whites and both chardonnays and sauvignon blancs are absolutely delicious. Try the CE3291 The Society’s Chilean Sauvignon Blanc, Leyda Valley 2010 which has just docked.
Fino Perdido: minimally treated fino now available
Posted by: | CommentsWe have bottled exclusively for Wine Society members this golden coloured, mature Jerez fino, almost a fino-amontillado. We estimate it is about 8 years old. The minimum legal age for Sherry is 3 years and most finos are 4–5 years of age. This style is less seen today, and the Consejo does not allow the name Fino-Amontillado, the equivalent of a Manzanilla Pasada, any more. Hence, we named it Fino Perdido or “Lost Fino”.
Analysis found that the wine contained no proteins so it hasn’t been fined, which can remove a lot of body and flavour. It was filtered to remove yeast but was neither cold treated, which prevents precipitation of naturally occuring tartaric acid crystals but can remove flavour, nor was it charcoal filtered, which removes the colour but also some flavour. I tasted a sample of the wine before and after filtering and the filtration had no negative effect on the flavour, and may even have cleaned up the nose a little. Like all finos its flor character will dissipate over time in bottle. It should be good for five months but is better now. At just £7.95 per bottle it’s an absolute steal. Carpe diem!
There is a chance that this may form a harmless haze and precipitate naturally occuring tartaric acid crystals.
I have tasted a bottle and have hugely enjoyed its golden colour, attractive bready flor, and its broad, full, slightly nutty, rich yet dry flavour. It is a strong flavoured Sherry ideal with richly flavoured seafood like crab or with tuna stewed with onions. It will also partner strong hard cheese like Cheddar or Parmesan better than most red wines. It is probably closest in style to the Pastrana Manzanilla Pasada, though they are both true to their origins. The Fino Perdido (from bodegas in the warmer, inland Jerez) being richer and broader on the palate while the Pastrana (matured in cooler bodegas in coastal Sanlúcar) is fresher and less rich. Fino Perdido is a bargain at this price.
We were inspired to bottle this after the success of the Tio Pepe en Rama offered earlier in the year. The inspiration was to treat less so more flavour gets into the bottle, not to copy the style. The wines are quite different in character, though equally delicious. Tio Pepe en Rama, which some of you tried, is a much younger wine, about 4–5 years old (half the age of Fino Perdido), which was deliberately bottled with a lot of flor yeast in suspension to maximise the pure taste of flor. Both we think are excellent examples of their type. Fino Perdido is richer, rounder and nuttier with nice bready flor character; Tio Pepe en Rama, younger, fresher and dominated by a delicious and overwhelming taste of flor. Experience showed that the flor increasingly was attracted to the sides of the bottle of the Tio Pepe en Rama and that to get the full flor hit it was best to shake the bottle before drinking to send the yeast into suspension!
As ever I would be really interested to hear your views on this wine.
Nicolas Potel: Burgundian Winemaker and Vigneron
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A member asked for an update on Nicolas Potel. Nicolas has achieved a lot in a very short time, so I thought I would summarise his career chronologically.
1969-1997 Early years and Domaine de la Pousse D’Or
Nicolas Potel is a remarkable man, being both hugely talented and possessing exceptional levels of energy and drive. He is the son of the late, equally exceptional, Gérard Potel, who was the director of the excellent Pousse D’Or estate. Born in 1969 Nicolas quickly found he had a practical bent. He left school before he was 18, and was employed by a Meursault producer Thierry Matrot which he loved. He travelled to Australia and worked for the estates of Moss Wood, Leeuwin Estate, Wirra Wirra, Mount Mary and then Tom Dehlinger in California. In Burgundy he worked for Domaine Roumier and Domaine Juillot before returning to Pousse D’Or for 5 years up to 1997, when his father died.
1998-2007 The rise of his négociant company “Nicolas Potel”
He started his négociant house Nicolas Potel in 1998. The respect in which he is held enabled him to source excellent grapes and wines from some of the best domaines in Burgundy. The high quality of the grapes bought and the attention to many small details such as using smaller crates to collect the grapes during harvest, using a very gentle destemmer which allows whole berries to arrive in the vats intact, replacing his pneumatic press with a high quality vertical press giving clear press wines all contributed to the success of the wines. He grew the business quickly but the economic crisis in 2002 forced him to require more capital, which he acquired through Cottin Frères, who bought 100% of the business and now control the business that bears his name. Our excellent Exhibition Savigny-lès-Beaune 2005 was made by Nicolas during this period.
2007 onwards, Domaine de Bellene (Bellene is the Celtic name for Beaune)
Nicolas parted company with Cottin Frères in 2006/7 to concentrate on his own domaine which now comprises 18ha. He is converting the vineyards to organic cultivation. He bought a characterful, old winery in Beaune where he makes the wines. He is carefully and sympathetically restoring it. The vineyards are principally Bourgogne rouge, St Romain blanc, Beaune Premiers Crus, Savigny-lès-Beaune village and premiers crus, Nuits-St- Georges village and premiers crus and a little Vosne-Romanée. 2007, his first vintage, was sold as Domaine Nicolas Potel, but after a legal wrangle he lost the ownership of his name so from 2008 vintage this has been called Domaine de Bellene. He is also making some négociant wines since 2008 under the name Maison Roche de Bellene. His very attractive Bourgogne Rouge Cuvée Réserve 2008 will appear on the October List.
He has made some lovely 2009s from this splendid vintage. We will be offering his Bougogne Rouge, Côtes de Nuts Villages, Beaune Premier Cru Teurons, Nuits-St-Georges village and premier cru Chaignots in our second 2009 En Primeur offer in February/March 2011.
Nicolas’ style remains very pure. He vinifies with whole bunches when the stems are ripe. He is careful never to over extract nor over oak his wines, allowing the character of the vineyard and vintage to shine through. His elegant yet intensely flavoured wines are a delight to drink. Now he has total control over the vineyards, as he did when working with his father at La Pousse D’Or, one can expect the excellent quality he has already achieved to get even better.
Chilean Old Vine Excellence
Posted by: | CommentsDe Martino have searched the length and breadth of Chile looking for old vineyards. Wine produced from grapes of old vines has a wonderful “old vine” texture, an unforced, natural, concentration while retaining a silky palate. Those who try to compensate for young vines in the vineyard by over-extracting in the cellar never achieve the same results.
The Maule region was the first to planted because it has sufficient rainfall to support vines without irrigation. Recently, wineries have discovered superb vineyards planted in the 1950′s with dry-farmed carignan. The El León 2006 wine is a lovely example of the fresh, fine-flavoured, wine that can be produced from these old vines.
Chilean carignan is a little fleshier and fuller than the firmer and leaner style usually found in France. It has lovely grip and structure, and is ideal for a hunk of protein – especially the fattier cuts such as belly pork or shoulder of lamb.
Words can only tell you so much, so De Martino have produced a one minute video “vignette” showing the El León vineyard in Maule:


