France
A Video Interview with Edouard Moueix
Posted by: | CommentsLast week we were visited by Edouard Moueix from Bordeaux négociant house, J.P. Moueix. As well as owning some of the most illustrious properties on Bordeaux’s right bank – including Châteaux Petrus, Trotanoy and Magdelaine – the family-owned company produces numerous own-label blends and distributes wines from various Bordeaux châteaux. The Society has had the pleasure of working with Edouard and J.P. Moueix for a number of years.
Edouard is one of the most enthusiastic and engaging figures in Bordeaux wine, and so I enlisted the help of our trusty video camera to ask him about the company, the dramatic renovations at their recently acquired Saint-Emilion property, Château Belair Monange, and his interests outside wine.
I hope you enjoy the results, and should you wish to try some of his excellent wines, you can browse a selection at various price points below.
A selection of highlights from J.P. Moueix currently available from The Wine Society:
Christian Moueix, 2005, Bordeaux (£7.95 per bottle)
Moueix Côtes de Castillon, 2008 (£7.95 per bottle)
The Society’s St-Emilion, 2008 (£10.95 per bottle)
Château de la Commanderie, 2008, Lalande-de-Pomerol (£12.50 per bottle)
Château Certan Marzelle, 2005, Pomerol (£46 per bottle)
Château Hosanna, 2004, Pomerol (£60 per bottle)
A Good Week
Posted by: | CommentsI particularly enjoyed two member tastings in London last week.
First we displayed Pierre Mansour’s new range from New Zealand to a full house in RIBA. Particular highlights for me were the ranges from Hunter’s, Kumeu River and Prophet’s Rock.
I love Hunter’s food-friendly dry riesling, and our own Exhibition Marlborough Sauvignon which Jane Hunter supplies for is tasting particularly delicious. Pierre has done well to persuade the Brajkovich family of Kumeu River, chardonnay experts, to produce our own-label chardonnay too. Prophet’s Rock have made a pinot gris with real depth and flavour – the secret simply low yields, maturation on lees and later bottling. Their pinot noir is outstanding.

Steve Farrow being presented with the WSET's 'Gruppo Italiano Vini' Scholarship by Hugh Dupre and Jancis Robinson
The growers went on to a tasting in Harrogate. I went on to watch Steve Farrow, well known to members who visit The Cellar Showroom, receive his scholarship prize for passing his Wine & Spirits Education Trust Diploma with flying colours – a surprise for him, but not for us.
Later in the week, 100 members and guests were lucky enough to taste 10 vintages from 10 different châteaux from the commune of Margaux. As Charles Metcalfe pointed out, Margaux is a very diverse commune spread over quite a wide area with different soil types, and several of the classed growths have altered their vineyards since 1855. The château is just the brand name. It proved to be a vivid example, the diverse qualities, different years and properties. My notes are as follows:
Château Angludet, 2007:
Excellent healthy fruit and subtle palate. Good now.
Château du Tertre, 2006:
Particularly fragrant and delicious now, the property next to Château Angludet has a higher percentage of cabernet franc than other classed growths.
Château Durfort-Vivens, 2005:
A cabernet-based wine from a keeping vintage showing the bright vivid fruit, great perfume and length of flavour of the vintage, but still very young.
Château Kirwan, 2004:
Modern-style late-picked Margaux: generous flavour and enjoyable but less fine.
Château Rauzan-Segla, 2003:
A great vineyard in an exceptionally hot year, which burnt off some of the finesse. Spicy, rich, ready.
Château Giscours, 2002:
A vintage that needed time but the true Margaux fragrance grows in the glass. Lean, more old-fashioned Claret, but distinguished.
Château Prieuré-Lichine, 2001:
Full and generous and spicy. Excellent to drink now.
Château Ferrière, 2000:
A tiny vineyard but a superb, full, fine Claret. Delicious now but with a future too.
Château Palmer, 1996:
Not as rich and full as some recent Palmer vintages, but exuding class and quality.
Château Margaux, 1989:
Still a giant of real first-growth quality and many years ahead of it.
What a treat.
Sebastian Payne MW
Chief Buyer
The Ventoux
Posted by: | CommentsThe Mont Ventoux, known locally as the ‘geant de Provence’, dominates the landscape for miles around like a Mount Fuji, and it comes with a white summit that sparkles in the sun. The summit is white all year round but rarely thanks to snow: the Ventoux is a huge pile of limestone and at the summit it is quite bare.
The mountain features much in folklore and there are doubtless plenty of poems by Mistral. There are various stories about the name but one thing is certain and that is that it is seriously windy at the top. It stands at 1912m, making it the highest peak for miles around. An observatory was built on the summit and at the same time a road was built over the top. It’s a fun drive and only a wee bit scary near the summit, above the tree line where the rock is bare and white and when the gradient suddenly becomes interesting. The view from the top is fabulous, except on the day I chose to drive up, when low cloud reduced visibility to a few yards. It is of course one of the great cycling challenges and regularly features on the Tour de France.
The lower slopes are a sea of lavender and where there is shelter from the Mistral other crops are grown. There are fruit orchards and olives, and of course vineyards. The wines used to be called Côtes du Ventoux. Today the name has changed to Ventoux and it is very much a part of Rhône.
The Romans were possibly the first to grow grapes here; they saw the benefit of planting at slightly higher altitude amidst the ever-present cool Alpine breezes. There was a time when co-ops controlled all the production and then quality was not always good and prices always below that of simple Côtes du Rhône.
Things have changed. The climate is warmer and vintages here are more consistent. And the level of winemaking shows more skill and greater confidence.
Suddenly, too, there are a whole load of growers. The Ventoux has become smart. The fashion has brought higher prices (but not for all). A lot of Ventoux is sold to the Negoce – including Jaboulet, who make a very good wine at a very reasonable price. We are now buying from Château de Valcombe, which is excellent and which will feature in the 2010 Rhône opening offer.
Marcel Orford-Williams
Buyer, Rhône
The Society’s 2010 Rhône and Languedoc-Roussillon opening offer will be published next week.
The Perils of Tasting from Barrel in Burgundy: The Malolactic Fermentation
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One of the most challenging and interesting privileges of the buying job is to go out to Burgundy and taste a vintage from barrel in October, buy the wines and make an assessment of the vintage. October to December is the time when most buyers go to Burgundy to taste from barrel the wines of the main domaines and négociants of the Côte D’Or.
Last October I was tasting the superb 2010 vintage after a year in cask. A few wines are already bottled, mainly whites, but most are still in barrel or tank awaiting bottling usually January to March 2012. However, it is not without its pitfalls.
In theory, October is generally a good time to taste. Ideally the crucial secondary fermentation, the malolactic (hereafter malo) fermentation, will have taken place in spring.
Before the malo, wines are very difficult to judge, especially red wines, although the worst time is during the process itself where the reds can taste metallic and all sorts of buttery and cheesy aromas can occur in the whites as the malic (the sharper appley acidity) is transformed to the lactic acidity (the milder milk acidity). Then frequently for a couple of months after the malo the wine will not taste well. The aromas and the flesh of the wine seem to disappear leaving a hollow shell.
Temperature is one of the crucial factors required for the malo to take place. The process normally takes place as the temperature reaches 16-19ºC. Given Burgundy’s more continental climate, it is quite cool at vintage time (when the harvest is mid-September and global warming doesn’t mess it all up) and after the wines have finished their alcoholic fermentation they are sent to barrel to rest in the autumnal cool of the cellar and it is not until spring arrives that the temperature rises to the necessary level.
It has now been discovered that the traditional empirical Burgundy view that a six month delay between the two fermentations is beneficial for red wine, helping to soften the astringent nature of the tannins. It had long been held as controversial by the Bordelais. As sulphur blocks the fermentation none is added, and the men in white coats, the oenologues, considered that the wine is potentially at risk from spoilage yeasts and bacteria during this time. In Bordeaux’s warmer Atlantic climate, and because wines are stored above cellars in chais in the Médoc (because the water table is too high to dig cellars) the malo traditionally takes place in tank immediately after the alcoholic fermentation in October. It can be artificially inoculated to speed the process up. The wine is then sulphured and sent to barrel.
However, in the absence of sulphur, alcohol oxidises to acetaldehyde and this is a catalyst in red wines to encourage colour (anthocyanins) and tannins to form complexes that provide a round and velvety mouthfeel. Tannins not bound to colour are hard and spiky. For a number of years it has been the height of fashion in Bordeaux to delay the onset of the malolactic fermentation and for it to happen in barrel.
In very hot years like 2009 there is little malic acid in the grapes, whereas a cooler year like 2010 will have much more. In the cooler years the wine is transformed by this process and many ugly ducklings have become elegant swans. However, there is a Catch Twenty Two here. The higher acid the vintage, and thus the more beneficial to the wine for the malo to occur, the more difficult it is to start the process.
So that seems clear and fine then! The buyer must arrive in October when the wines will be tasting beautifully after a spring malo. If only it were that simple!
In practice the malo takes place when it wants to. Even in the same cellar in October there can be some wines that went through it early, some late, and some have yet to do it. The process is still only partially understood. Some say a new barrel which has less sulphur residue and allows more oxygen ingress helps the process, others say old barrels carry the malolactic bacteria, and help inoculate the process. Once the malo has finished, the maturation process begins and the wine starts to change. One should really consider a wine’s age and maturity not from the date of the harvest but from the date of the malo.
After the malo each cellar may then proceed quite differently. Some cellars rack from barrel to barrel. In this case the individual character of the barrel is preserved. Some cellars rack all the wine into tank and then back into barrel. In this case the barrels have been assembled and should taste similar. Some, like Jean-Marie Fourrier do not rack at all, which means his wines have more carbon dioxide in the wine, which can cut the richness of the wine, but against that the wine has been left to enrich itself on its lees without disturbance. Some add more or less sulphur at this time which can ‘bleach’ the flavours from the wine, which may require 6-8 weeks to recover.
Principally for this reason, I do not pay too much attention to assessments of Burgundy between one and six months after the vintage. In this media age we are all being pestered to give instant opinions but, in my view, it is very dangerous to assess a wine before malo as they can totally change character. A famous agent Russell Hone describes the 1993 red Burgundies as ‘performing a backflip’ after malo. It was very harsh and metallic before malo, softened appreciably after it and is now considered a great vintage.
Thus when one arrives in a cellar and before tasting one of the first questions to ask is when the malo, or malos took place, and were the wines racked afterwards, and in which case were they assembled in tank or racked from barrel to barrel. Now one can begin to assess the wines before you and make allowances if necessary for the blessed malo!
Toby Morrhall
Buyer, Burgundy
The Society’s opening offer of 2010 Burgundy will be available in late February.
Burgundy and Woodcock
Posted by: | CommentsNot that I’ve had much need of the word bécasse over the years. As Burgundy buyer Toby Morrhall has described, and as I was reminded at our local farmers’ market last weekend, woodcock is a rare and fine wild game bird. I once saw one close up because a French friend of mine has a passion for shooting feathered game, and one fell foul, illegally I seem to remember, of over enthusiasm at a birthday shooting party.
Last weekend’s woodcock had been shot ‘at too close range’ to make it saleable to a fine restaurant, which is apparently where most end up. Not a pretty thought, but, the meat in our Woodcock, Sage and Apricot stuffed Pheasant was just as it was billed: not quite as dark as pigeon, rich but not gamey, tender and velvet textured. And yes, I dug out a delightful, if modest, mature Burgundy to accompany it, which even my pinot-averse husband agreed was an ideal match. Here’s to the farmers’ market revival, for which I think we have a lot to thank our French friends and neighbours.
Joanna Locke MW
Welsh Carignan?
Posted by: | CommentsBut Sylvain’s career as a fruit and vegetable producer was short lived, as one year’s crop was wiped out. His father had some vines which he gave to Sylvain. He should have joined the coop, but he didn’t and the rest is history. Except that much of what Sylvain’s dad had planted was carignan.
When young Sylvain went to wine school, he learned that carignan was the root of all evil. But Sylvain made his carignan wine and it was David Pugh who tasted it and who bought it for his restaurant. And once again the rest is history.
Sylvain Fadat’s estate is Domaine Aupilhac which today is one of the top estates of the Languedoc and famous for its carignan.The Mimosa was packed recently for a special dinner with a carefully chosen menu to match Aupilhac wines. The highlight unquestionably was a 1990 Carignan, Sylvain’s second vintage. This was a wine of extraordinary beauty and complexity.
It is partly thanks to Sylvain Fadat and the fact that he sold to David Pugh that the carignan grape was saved. I have recommended this restaurant before and do so again without hesitation.
Marcel Orford-Williams
Buyer, South of France
Two of the very best: an inspirational day
Posted by: | CommentsTwo of the world’s great winemakers came to The Wine Society this week. Chief wine buyer Sebastian Payne MW reports on one very special day.
Paul Draper came to Stevenage to talk to 60 eager members of Wine Society staff about Ridge, the remarkable Californian winery, high up on the San Andreas fault at Santa Cruz, whose reputation he has established over 40 years.
After Stanford he became a sort of undercover roving ambassador for Jack and Bobby Kennedy in South America. With his fluent Spanish he kept open lines with the USA by listening and talking to leaders of rival parties in several volatile countries. (It would be encouraging to feel the USA had a similar policy today in the Middle East.) At one stage, because of his beard, he was even mistaken for Che Guevara and nearly blown up. He then moved to Chile working for a foundation that was developing various agricultural projects including wine making.
The Ridge story began when he was invited by three brilliant Stanford friends who had bought the vineyard to help them by making the wine. He was convinced because he had seen the potential of old vintages of cabernet and chardonnay made in the 1930s pre-Prohibition.
Ridge’s international reputation was made when its Montebello vineyard wine outshone top Bordeaux wines in Steven Spurrier’s Judgment of Paris tasting in 1973. Paul’s philosophy is that wine is made in the vineyard and should express its origin above all, not to be created to a formula in the cellar. “If you haven’t tasted great wine, how can you make it?” Good bottles were his mentors. The enemy is ‘consensus’ wine-making.
Though his zinfandel-based wines are usually 14º, the level at which the grape becomes fully ripe, he abhors the high alcohol levels so commonly found in Californian wines and Montebello cabernets have similar levels to Bordeaux. The proof is in the wines which have been consistently the most complex and delicious to be made in the USA over the last 40 years.
Candour, integrity and passion
Jean-Philippe Delmas’ story is quite different. He was practically born in a vat of Haut-Brion, where his grandfather made the wine for the family till 1961, when his father Jean-Bernard took over. Jean-Philippe worked for ten years alongside his father until 2004, the first vintage for which he was solely responsible.
The quality of the 2004, set beside such great vintages as 2005, 2000, 1998 and 1990 was a revelation, making one realise that Château Haut-Brion, the most senior of Bordeaux’s first growths, is also possibly the greatest and most complex of all. Jean-Philippe modestly says that his grandfather and father had to contend not only with many cooler vintages but also much leaner resources. The fact that Haut-Brion made no money between 1935 and 1975 shows a long-term commitment from its owner, Clarence Dillon and his family, unusual in a banker! His challenge is that he has no excuse. All of us 240 members and guests privileged to be at Merchant Taylor’s Hall were, I believe, convinced by Jean-Philippe’s candour, integrity, passion and deep understanding of this great vineyard which was reflected in magnificent wine.
A Great Back Label
Posted by: | CommentsA bottle without a back label is rare these days, though it is still the case that the more you spend the less you seem to get!
Less consistent, however, is the quality of the copy. The French are often guilty of adding insult to injury when they translate their typically florid marketing copy into English verbatim.
Not so Madame Evelyne de Pontbriand, owner of Domaine du Closel in Savennières, and current, eloquent Président of the Savennières producers’ association. Her command of English is impeccable, as members who attended our Loire tasting in London earlier this year will have discovered. She also has a teasing smile and definite twinkle in her eye (ditto!), so we should not have been surprised to discover her delightful back label, which appears on the 2009 Savennières, Domaine du Closel, and which reads as follows:
“Wine for conversation. A dry and fruity chenin blanc expressing a hill of schist over the Loire valley. Harvested at the end of September, the grapes were golden yellow. After a slow natural fermentation and 10 months of elevage in our old cellar, this wine shows charm and insolence, minerality and elegance of our world heritage landscape, the light of the Loire valley, my love for nature. Drinking Savennières is an art de vivre: Pour it in a beautiful glass, crisp music on, have a friend join you, smell the aromas of white flowers, citrus and honey, take a sip: the palate is round, surprising, slightly smoky. The fruitiness and freshness of this wine will give you an immediate and unique pleasure. You will have an interesting conversation and soon feel hungry. Get some shrimps, grill some fish, steam asparagus in the spring…or be yourself, creative, eccentric and share your favourite pairing with me. Evelyne de Pontbriand.”
I should admit that the back label was brought to my attention by my buying colleague, Mark Buckenham, who was prompted to open a bottle by a member who had been unhappy with his. We tasted the wine over a couple of days and agreed there was nothing to worry about. Savennières is serious (one might even say difficult) wine, and this one, admirably certified organic, benefits from decanting to reveal its full complexity and character.
As far as back labels are concerned, feel free to share with us your best, or worst, examples; we already have something of a rogues gallery here at Stevenage!
Joanna Locke MW
The Wines of Burgundy at Le Clos des Capucins, Montreuil
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This was the first time that we’d been back to Le Clos des Capucins since husband and wife team Guillaume and Isabelle Duvivier had taken it on so we were quite intrigued to see what it would be like.
The theme of the night was the wines of Burgundy, and so the menu was themed accordingly. As there isn’t much choice as to grape variety (it’s really either chardonnay or pinot noir with this one), we decided to try and show wines from as many of the communes north to south as was possible within the framework of the dinner.
It being a dreary night – the best kind of night to have a nice dinner on as it gives you something to smile about – we couldn’t take our aperitif outside as we have done before, so everyone took their glass of Chablis seated at their tables, giving them a chance to meet their dining partners for the evening. Realising that the room was quite small and that the noise levels over the dinner would inevitably rise, I decided to talk about all the wines in one fell swoop, so whilst everyone sipped I talked about the different communes and the wines we would be tasting that evening – it was then the challenge of the evening to remember the salient facts for each wine as it came round.
At the end of the evening as always we took a vote for the favourite wine of the evening. The Volnay was the hands down winner: still relatively youthful despite its age, it was rich and elegantly fruity, and made the perfect accompaniment to the Epoisses. A cheese whose bark is definitely worse than its bite, (or in this case, its smell is of old socks), but it tastes sweet, mellow and quite frankly divine!
The food was delicious, and the wines showed really well and seemed to work in harmony with each dish. The full list of what was eaten and drank is here.
Aperitif & amuse-boucheOriental crayfish brochette
Chablis, Premier Cru Montmains, Domaine William Fèvre, 2006
Menu:
Quail salad with truffle
Macon Vergisson, Joseph Burrier, 2009
Lobster stew
Puligny Montrachet, Premier Cru Les Referts, Etienne Sauzet, 2008
(The 2007 is currently available here)
Fillet of veal with escargot aioli
Nuits St Georges, Premier Cru Les Pruliers, Jean Grivot, 2001
Epoisses
Volnay Premier Cru Les Chevrets, Domaine Henri Boillot, 2006
Chocolat fantasy with marc de Bourgogne sorbet
Muscat de Beaumes de Venise, Domaine des Bernadins, 2009
Emma Howat
Tastings & Events Co-ordinator
Biodyvin
Posted by: | CommentsBiodyvin is a wonderful, eccentric, eclectic mix of growers who cultivate their vineyards biodynamically. Its aims are wholly admirable: to produce wines that reflect their origin in the most natural way possible – a concept all Wine Society members should applaud.
Naturally they have mixed success. Nature can be cruel. But at last week’s tasting the fruits of their hard work and passion were a joy. Alsace was well represented particularly by Josmeyer and Zind Humbrecht but I would like to commend particularly three brilliant producers from the Loire and the one and only, but quite outstanding, producer from Germany, Bettina Bürklin Wolf.
Bürklin Wolf have holdings in the heart of the great vineyards of the Palatinate, once the most highly valued white wine in the world. Wachenheimer, Deidesheim and Ruppertsberg make lovely, individual wines but their single-vineyard from Forst are among the greatest long-living white wines of the world.
My earliest baptism into the wines of the Loire came from Jean Vacheron in Sancerre and Gaston Huet in Vouvray. Jean Vacheron had a remarkable palate and understanding of the quality that different soils of Sancerre could produce which he passed on to his sons and to his neighbouring producers. On my first visit with Wine Society buyer John McLusky, we went with Jean on a leisurely Sancerre vineyard crawl of all the cellars of growers who might have been considered his competitors to discover the true nature of Sancerre. His childern and now his grandchildren always ploughed back the money they made into buying good vineyards and better cellar equipment. His particular favourite (and mine) is the Sancerre produced on silex (flint).
John McLusky’s predecessor, Christopher Tatham MW, introduced The Wine Society to the Vouvrays of Gaston Huet at the same time as Vacheron. Gaston had an outstanding record of resistance in the war and was mayor of Vouvray from 1947 to 1993. He also alone was able to resist the French government’s plans for the TGV which now not only did not cut through his vineyards (as the government planned) but also do not disturb the subterranean cellars because the tunnels lie deep below on specially cushioned rails. His son-in-law, Noel Pinguet, is an agnostic believer in biodynamism and his wines have a parity and longevity that would make his father-in-law proud.
The new Loire eccentric is Eric Nicolas who cultivates 14 hectares of abandoned vines of Jasnieres and the Côteaux du Loir north of the larger Loire: dry white wines from chenin, quite different from Vouvray, but with amazing personality and length of flavour.
Why don’t you try some of these wines below:
Germany: Forst Pechstein Bürklin Wolf, 2009
Loire: Sancerre La Reine Blanche Vacheron, 2010
Jasnieres Premices Domaine de Belliviere, 2009
Sebastian Payne MW
Chief Buyer






